

You can only download the mastered tracks via PC.It is selective on which browser it operates on.Most of the instruments used for mastering on Cloudbounce are for sale.Masters by Cloudbounce lack the “human touch” which is felt when the tracks are mastered by human mastering engineers.Cloudbounce undergoes frequent updates to improve the quality of the services it provides.It saves a lot of time as it takes a much shorter duration to master a track compared to mastering when done by human engineers.I also learned yesterday that automating the Utility is better than automating the faders itself.

I have too much automation on my tracks, so this will save me time. It looks like I just need to lower the master volume a few dB to get it around -6 dB, so I will just do that. If you find you're pulling down the master fader something like 40+dB to keep from clipping, then yes you probably should instead pull down all the individual tracks.īut for 6-20dB or so, either method works fine. Like you said, for the most part there's no difference between just pulling down the master fader or selecting all track headers and pulling down all the individual tracks. The master channel is different, on that if you see the meters light up red indicating you're clipping, you really are CLIPPING and need to turn things down. They are just telling you that so that you can adjust things, it's just good audio engineering to make sure your not clipping your signal flow unless you mean to. Live uses floating point summing BEFORE the master track, so even though the individual track faders are lighting up red and showing clipping, you really aren't clipping. I'm sure a real engineer would fix it better, but I can't afford that Since I use eMastered, I noticed that too low of an export volume will affect the final volume. So if I for example set the Limiter on the Master to be 0dB just for security, and make sure the Master volume does not go over -6dB, that's a good way?

And if your highest peak is at -26.3dB, then your mastering engineer can simply raise it with a gain knobĬontrolling the dynamic range is probably the topic you need to look at and study, but that's really not where your questions point at (even though that's what they imply)

your mastering engineer can do it if they need it! Just make sure your exported file doesn't go above 0dB. to prevent destroying your ears and your speakers if something suddenly peaks like hell (hi Collision, Delays' feedback and so on.)ģ) Lowering the master volume before exporting doesn't matter at all. I set mine to -0.5, but I could also set it to -15.3 and raise the output volume on my audio interface.Ģ) Imo, everyone should always have a Limiter last on their Master's chain. 1) Just make sure it doesn't clip your DAC.
